Overview
- Contributes an original reading of artists moving image in the context of intermediality and memory studies
- Situates the exponential increase in artists’ moving image in relation to the transitional moment in the mid 1990s when the centenary of cinema coincides with the impact of digitalization
- Argues that the transitional intermedial aesthetics of contemporary artists’ moving image have reconfigured the diverse and dissociated traditions of artists’ film, video art and experimental film
Part of the book series: Experimental Film and Artists’ Moving Image (EFAMI)
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Table of contents (8 chapters)
Keywords
About this book
This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists’ film and video, the following chapters identify five different mnemonic modes in artists’ moving image: critical nostalgia, database narrative, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
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Authors and Affiliations
About the author
Sarah Durcan is Programme Leader of the MFA Fine Art, National College of Art and Design, Dublin, Ireland. She is a contributor to Extended Temporalities (2016), Moving Image Review and Art Journal and Screening the Past.
Bibliographic Information
Book Title: Memory and Intermediality in Artists’ Moving Image
Authors: Sarah Durcan
Series Title: Experimental Film and Artists’ Moving Image
DOI: https://doi.org/10.1007/978-3-030-47396-9
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
Hardcover ISBN: 978-3-030-47395-2Published: 20 October 2020
Softcover ISBN: 978-3-030-47398-3Published: 21 October 2021
eBook ISBN: 978-3-030-47396-9Published: 19 October 2020
Series ISSN: 2523-7527
Series E-ISSN: 2523-7535
Edition Number: 1
Number of Pages: X, 250
Number of Illustrations: 8 b/w illustrations, 15 illustrations in colour
Topics: Experimental Film, Memory Studies