Editors:
- Identifies the latest directions and developments in music interaction and HCI
- Balances original research with reflections from leading researchers and practitioners
- Brings together interdisciplinary perspectives, covering a range of musical styles, practices and emerging ways of interacting with music
- Explores diverse HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts
- Synthesises the viewpoints of multiple stakeholders: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers
Part of the book series: Springer Series on Cultural Computing (SSCC)
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Table of contents (18 chapters)
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Front Matter
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Design
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Front Matter
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Interaction
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Front Matter
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About this book
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.
The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
Editors and Affiliations
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Music Computing Lab, Centre for Research in Computing, Walton Hall, The Open University, Milton Keynes, UK
Simon Holland, Katie Wilkie-McKenna
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Reid School of Music, University of Edinburgh, Edinburgh, UK
Tom Mudd
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Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, UK
Andrew McPherson
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Centre for Interdisciplinary Research in Music Media and Technology, McGill University, Montreal, Canada
Marcelo M. Wanderley
Bibliographic Information
Book Title: New Directions in Music and Human-Computer Interaction
Editors: Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley
Series Title: Springer Series on Cultural Computing
DOI: https://doi.org/10.1007/978-3-319-92069-6
Publisher: Springer Cham
eBook Packages: Computer Science, Computer Science (R0)
Copyright Information: Springer Nature Switzerland AG 2019
Hardcover ISBN: 978-3-319-92068-9Published: 22 February 2019
eBook ISBN: 978-3-319-92069-6Published: 06 February 2019
Series ISSN: 2195-9056
Series E-ISSN: 2195-9064
Edition Number: 1
Number of Pages: IX, 306
Number of Illustrations: 13 b/w illustrations, 58 illustrations in colour
Topics: User Interfaces and Human Computer Interaction, Computer Appl. in Arts and Humanities, Music, Media Design